Tag Archives: ecoprinting

The Value of Light

28 May

I don’t have a title for this post.  Maybe it will come as I write.  Today is Sunday and I took the day off.  Not because it’s Sunday but because I was tired and decided to listen to my body.  So instead of working, I rigged up lights for an upcoming art show at the Ramsey Center, Western Carolina University–Cullowhee–in a few weeks.  Indoor shows are challenging because eco printed scarves look dull and dingy under most arena-type lighting.

Most of my shows to date have been outside.  That’s tricky sometimes, in terms of weather, but I’m under a tent and even if it rains, we’re o.k.  And always the light and wind benefit the eco printed scarves–highlights their natural beauty–a beauty I’m quick to add that I am not responsible for.  I facilitate their ability to appear on cloth.  That’s all.  A good mechanic.

But back to the indoor shows: the only show I did last year that fell below my arbitrarily established “sales goal” was indoors and dreadful.  The inside lighting was miles away from ground level.  And it was a muddy green color.  Everyone and everything looked kinda seasick.  So this show in June–a two-day event–will also be indoors–which leads me to the purpose of this blog–a solution for lighting.

Sometimes I have help setting up my booth–sometimes I don’t–but my intention is always to have a compact, easy-to-set up exhibit.  Lightweight as well.  At first I thought track lights and priced them out.  Nope.  Quite heavy and rather pricey. I asked the Lowe’s clerk if I could rig a regular fixture up and wire it to an extension cord. She said yes. I asked her if she could explain it to me. She said “no” but listened to me thinking out loud and seemed to agree with how I thought to proceed.  Buy four ceiling fixtures–bulbs included–buy four extension cords and a roll of electric tape.  Snip off the receptacle end of the cord, strip it a bit and then wire to the existing light.  There you have it.  I have four fixtures now ready to go and they put off good light. So if the scarves don’t do well, at least I’ll know lighting wasn’t the problemIMG_3519

This is a busy year for me for shows. Last count I have 11 before end of year. Last Saturday was a good event: Montford Music and Arts Festival here in Asheville. Good weather, good people, great music and very good sales. IMG_4805.JPG

Posting new scarf images at http://www.thelanguageofleaves.com but can’t do it from this iPad. Will also be listing my schedule of shows any day now.

From Primitive Icons to Ecoprinting

10 Apr

 

One night in 1990 I awoke from a deep sleep knowing I needed to set free–release–my primicons.  Primitive icons.  This need to create had a life of its own.   I started with rebar wire and paper mache.  Added wood chips to the mix–and paint.  Later covered the wire with muslin.  Anything that would hold shape.  I worked late into the nights.  My kitchen was no longer a place for meal preparation so much as an abode for these guys.  Years later when my dad gifted me a pile of rusted corrugated industrial roofing and an acetylene torch, their shape and stature grew.

I don’t know where these entities come from–or why.  But they’re still demanding “air time.”  And that is the dilemma I’m facing with eco printing.

I love what I consider to be the magic of eco printing.  Love the surprises.  The constant barrage of “what ifs?”  Love trying to understand why the various elements act and react as they do.  So there’s all of this.  And now I find myself moving into a different phase with the process.  Moving towards the things inside me–the ubiquitous primicons –that want out.

Primicons are the expressions that come out of me.  In truth, there are other forms I would like to explore–more palatable forms perhaps–but after almost 30 years of living with these beings, I accept that they are here to stay–will probably follow me into the great beyond.

They’ve been patient with my yearlong exploration of eco printing but today I experienced a minor revolt.  They want OUT.

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So I’m “experimenting” with process.  How to create in a way that eco prints and primicons can co-exist while maintaining the sustainable, environmentally benign characteristics of eco printing?

These  first, initial experiments have a ways to go.  And although I have concerns about their appeal–appeal of the primicon–clearly it’s a  moot point.

 

 

Gathering–Gathering Thoughts–Gathering Leaves

4 Oct

My freezer is full of leaves.  Last night I inventoried my stash–low on white oak but tons of sourwood from a downed tree of a friend.  Could stand more sweet gum, butterfly bush and sumac–but for now I’m just fine.  So far, these are my go-to leaves for printing.  Leaves that will probably do  something.  Or not.

A thought came to me this morning while I was gathering wet white oak–a memory.  A memory of years ago gathering red maple leaves with my mother.  During her last few years, when she was still able to get out, we would take a drive every Sunday.  And in the fall, there was nothing she wanted more than to drive up onto the mountains and either peer down into the New River Gorge or collect ruby-red foliage.  It was amazing watching her while she was still able to ambulate–bending over and picking up her treasures–and then when she became too tottery–she’d point with her canemom's cane–a cane I found in an old secondhand store–a strong stick probably from rhododendron–with a gnarled handle that fit perfectly into her hand (and my own).  I painted it up with an old container I had of interference purple, hot-glued shiny glass beads and stars all over it–stuck a skid proof stopper on its end–and presented it to her one year at Christmas.  She loved it.

But back to the leaf gathering.  When she was no longer able to stoop, she’d simply point with the cane, pin a leaf down and tell me in no uncertain terms that she wanted “that one.”  And “that one–and yes, that one, too.”  This could go on for a long time.  And I think of this now and wish that after the ten thousandth leaf, I had been more patient.  Because really, I was only patient for a while. The leaves were taken home–many of them ironed in between waxed paper and I’m wondering what happened to them.  Wondering why I didn’t keep them when we cleared out her house.   That’s what I remembered this morning gathering leaves.

So–back to now–Joaquin may be on the way out but it’s still gray, windy and wet.  Leaves are coming down like crazy and the poplars, sumac and sourwoods are yellowing and reddening up.  Seems kinda late to me–but this is new–this obsession with ecoprinting–so I can’t rely on memory to tell me what last year’s trees were doing.  Anyway, last year at this time I had sold my house and was getting ready to move.  So I don’t know.  But I do know this–I’ve never, ever seen seed pods sprouting “on the vine.”

c and m sprouting

I was letting the spent blossoms stay on the flowers as long as possible before harvesting them–but look–the marigold  seed bundle in the foreground is sprouting–and in the upper right hand corner?  Dyer’s coreopsis sprouting before it even hits the ground.  Seems strange.

And the palette is changing now with the season.  Blue from sourwood.  Yellow from sumac turning.  Brown from acer.  Some times I over-dye but this one will stay as is.  It’s beautiful when the light hits the silk.

closeup of sourwood

But now I am going to reprint this a.m.’s scarf.  Trusty sourwood pulled an “or not” and simply did not print.  Left only a ghostly ever so faint yellow. Kinda like memories.

Ecoprinting, Natural Dyeing, and the Love of Leaves

30 Sep

Been gone so long I won’t try to backtrack.  Just enough to say I’ve turned into an ecoprinting maniac…

My last post–August 10–captured an experiment.  There have been many in the interim.  Many flops and  enough success to keep me hooked.  But I’m better at turning the uglies into o.k. images.

Too much has happened in six weeks.  Too much to say. Too much to blather on about. Better to just let the pictures reveal the moments, for now.

But just one thing–thank you to Cynthia–and Marti.  Grace.  And Liz.

My head has been in the trees.  And I have been in the forest.

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Natural Dye Workshop

with Dede Styles (in blue)–an amazing, amazing woman

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Yellows from fall asters, broom sedge and black oak bark.

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Celebrating Logan’s 9th birth

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and a pic he took yesterday

Mostly close-ups of some ecoprints on silk

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And on Sept. 19th we had an amazing collaborative fiber/tea sale–with

…Sumitra–purveyor of fine teas–

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…Sister Jennifer the Weaver.

…Heather from Scotland…a fine, fine artist…with some of her t’s.

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…my first born…Emily with some of her many creations

…and me…holding blue

trunk show

Finally– today’s sky…

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with last week’s indigo.

If you’ve taken the time to gaze here, thank you.  A big, big thank you.  Sorry some of the images won’t open larger–and there seem to be some crossed wires embedded in this posting itself…but the cauldron calls….

Eco printing : And Learning to Sample

10 Aug

I tore through a lot of silk scarves before it dawned on me that I could just as easily make samples and avoid the disappointment of experimenting with leaves that don’t print.  So that’s what I’ve been doing–even taking notes.  I’ve pretty much honed in on the leaves that want to give up their color and leaves that just leave ever so faint images on the cloth to the cloth.  Here are a few samples from today.

golden mystery

mystery tree

I’m not sure the name of the tree these leaves come from. It’s on the corner near the driveway and when we were coming back from feeding our neighbor’s 10 pound goldfish–seriously–the yard was covered with these leaves–fresh from today’s thunder storm. Wet leaves. Precious as jewels. The one bluish leaf in the first pic is the tree I adore–SourWood. And the circle shape was cut from a eucalyptus leaf which is more precious to me than gold. First cloth is habotai silk. Second picture is raw silk.

I’ve planted a tree–eucalyptus neglecta–it’s supposed to survive in zone 7 where we live. And should be a fast grower. OK.

 

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